THE WOMAN KING (2022)
November 14, 2025
The Woman King (2022): Reclaiming History, Redefining Heroism, and Revolutionizing the Epic Film Genre
When The Woman King premiered in 2022, it arrived not just as another historical drama, but as a monumental cinematic event—a film that dared to occupy the vast territory of epic storytelling with Black women at its forefront. Directed by Gina Prince-Bythewood, the film delivers a rare blend of visceral action, emotional depth, cultural pride, and political resonance. Inspired by the real-life Agojie, the all-female military regiment of the West African Kingdom of Dahomey, the movie reframes the genre and challenges Hollywood’s longstanding narrative boundaries.
With commanding performances, rich world-building, and a story grounded in resistance and transformation, The Woman King is more than a film; it is a reclamation of power, identity, and history.
A Narrative Rooted in Courage, Healing, and Collective Strength
Set in the early 1820s, the story follows General Nanisca (Viola Davis), a battle-scarred warrior who commands the Agojie with unwavering discipline and deep emotional complexity. Nanisca’s mission is twofold: defend Dahomey from the threatening Oyo Empire and guide the next generation of women warriors into a future shaped by freedom rather than fear.
The plot intensifies with the arrival of Nawi (Thuso Mbedu), an independent and defiant young woman whose refusal to marry leads her to join the ranks of the Agojie. Through Nawi, audiences witness the psychological and physical trial of becoming a warrior—combat training, spiritual initiation, the forging of communal bonds, and the painful sacrifices demanded by the calling.
As Nanisca and Nawi’s paths intersect, the film explores themes of intergenerational trauma, unspoken bonds, and the tension between duty and personal identity. Their relationship evolves from friction to mutual respect, ultimately revealing buried truths that amplify the stakes of their shared destiny. This emotional core gives the film a humanistic force that counters its grand-scale warfare.
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Unmatched Performances That Anchor the Epic
Viola Davis: A Titan in Command
Viola Davis delivers a transformative performance, embodying Nanisca with a mix of stoicism, fury, vulnerability, and moral conviction. Her physical preparation—hours of combat training, strength conditioning, and choreography—is evident in every movement. Yet it is her emotional precision, her ability to convey brokenness beneath discipline, that renders Nanisca unforgettable.
Thuso Mbedu: A Breakout Revelation
Thuso Mbedu shines with captivating authenticity, portraying Nawi’s evolution from impulsive youth to skilled warrior. Her emotional openness gives the audience an entry point into the harsh yet empowering world of the Agojie.
Lashana Lynch and Sheila Atim: A Heartbeat of Loyalty and Wisdom
Lashana Lynch’s Izogie is charismatic, humorous, and fiercely loyal—her presence lights up the screen. Sheila Atim brings calm intensity to Amenza, the spiritual backbone of the regiment. Together, the ensemble performs not as supporting characters, but as pillars of a living, breathing community.
A Visual and Technical Triumph
Direction and Cinematic Vision
Gina Prince-Bythewood crafts the film with a meticulous blend of emotional intimacy and large-scale spectacle. Her ability to ground action in character psychology sets The Woman King apart from typical historical epics. Every battle has personal stakes; every quiet moment reveals inner conflict.
Choreography and Action Realism
The action sequences are brutal, kinetic, and purposeful. Unlike stylized Hollywood violence, the film embraces tactical realism—hand-to-hand combat, disciplined formations, and the strategic intelligence of the Agojie. These scenes honor the warriors’ legacy without turning them into mythic superhumans.
Visual World-Building
Cinematographer Polly Morgan crafts an aesthetic rich in color and texture—from the sun-soaked grasslands to the sculpted fortress of Dahomey. The authenticity of the environment immerses viewers in the heart of West Africa, away from Hollywood’s often Eurocentric lens.

Costume and Cultural Expression
Oscar-winning designer Gersha Phillips fuses tradition with functionality, creating costumes that reflect both historical inspiration and cinematic dynamism. The garments symbolize unity, strength, and the cultural pride of Dahomey.
Historical Weight and Narrative Responsibility
While The Woman King draws inspiration from true events, it takes creative liberties—particularly concerning Dahomey’s complex involvement in the transatlantic slave trade. The film does not ignore this history, but reframes it through internal debates and moral conflicts among the characters.
Rather than rewriting history, the movie invites viewers to engage in a nuanced conversation:
How do we tell stories rooted in painful histories while celebrating resilience and resistance?
The film’s emphasis on liberation, empowerment, and unity does not erase historical imperfections; instead, it dramatizes the difficult choices faced by nations and individuals living under global oppression.
Themes That Resonate Beyond the Screen
Empowerment and Feminine Strength
The Agojie redefine heroic archetypes. They are not warriors in service of male rulers; they are the backbone of a nation, bound by sisterhood and sacrifice. Their empowerment comes not from rejecting femininity, but from expanding it.
Identity and Healing
At its core, the film is a story about confronting personal and collective wounds—traumas caused by war, colonial exploitation, and internal struggle. Healing emerges through community, mentorship, and shared purpose.
Resistance Against Oppression
The Woman King frames resistance not just as warfare, but as cultural preservation, political vision, and the courage to create new systems of power.
Legacy, Cultural Impact, and the Future of Epic Cinema
The Woman King represents a turning point in Hollywood’s understanding of who can lead an epic narrative. By centering Black women in a genre historically dominated by white male heroes, the film expands the possibilities of representation and storytelling.
Its success proved that audiences are eager for stories that challenge the traditional canon—stories grounded in cultures long overlooked by mainstream cinema. The film also sparked renewed global interest in the real Agojie and the historical legacy of Dahomey (modern-day Benin).
Critically acclaimed and enthusiastically embraced by audiences, The Woman King stands as a landmark achievement that will influence filmmakers, studios, and future generations of storytellers.
Conclusion: A Bold Reimagining of the Epic
With breathtaking performances, rich cultural depth, and emotionally resonant storytelling, The Woman King is a film that honors both the epic traditions of cinema and the revolutionary potential of new voices. It is a story of warriors, but also of mothers, sisters, daughters, and leaders—women who carry history on their shoulders and carve pathways into the future.
In reclaiming a forgotten chapter of African history, The Woman King does more than entertain.
It redefines who gets to be a hero, who gets to lead armies, and whose stories deserve to be told on the grandest scale.
